| dc.contributor.author |
Bollier, David |
|
| dc.date.accessioned |
2009-09-28T14:12:37Z |
|
| dc.date.available |
2009-09-28T14:12:37Z |
|
| dc.date.issued |
2001 |
en_US |
| dc.identifier.uri |
https://hdl.handle.net/10535/4976 |
|
| dc.description.abstract |
From Introduction: "As the title of the conference suggests, discussions about 'artists, technology and the ownership of creative content' range across a large territory of law, politics, technology, art, history and the mysterious dynamics of creativity itself. Yet for all the complexities of this topic, one fact is inescapable: the digital revolution is provoking a wide array of novel quandaries. Answers are elusive, it seems, because the technologies are disrupting many existing economic and political relationships, as embodied in law and markets – yet forging new alignments of interests and new social consensuses is notoriously difficult work." |
en_US |
| dc.language |
English |
en_US |
| dc.subject |
intellectual property rights |
en_US |
| dc.subject |
information commons |
en_US |
| dc.subject |
arts |
en_US |
| dc.subject |
ownership |
en_US |
| dc.subject |
information technology |
en_US |
| dc.title |
Artists, Technology and the Ownership of Creative Content: Summary Report |
en_US |
| dc.type |
Conference Paper |
en_US |
| dc.type.published |
unpublished |
en_US |
| dc.type.methodology |
Summary Report |
en_US |
| dc.coverage.region |
North America |
en_US |
| dc.coverage.country |
United States |
en_US |
| dc.subject.sector |
Information & Knowledge |
en_US |
| dc.identifier.citationconference |
Artists, Technology and the Ownership of Creative Content |
en_US |
| dc.identifier.citationconfdates |
March 2001 |
en_US |
| dc.identifier.citationconfloc |
Los Angeles, CA |
en_US |