Artists, Technology and the Ownership of Creative Content: Summary Report

dc.contributor.authorBollier, David
dc.coverage.countryUnited Statesen_US
dc.coverage.regionNorth Americaen_US
dc.date.accessioned2009-09-28T14:12:37Z
dc.date.available2009-09-28T14:12:37Z
dc.date.issued2001en_US
dc.description.abstractFrom Introduction: "As the title of the conference suggests, discussions about 'artists, technology and the ownership of creative content' range across a large territory of law, politics, technology, art, history and the mysterious dynamics of creativity itself. Yet for all the complexities of this topic, one fact is inescapable: the digital revolution is provoking a wide array of novel quandaries. Answers are elusive, it seems, because the technologies are disrupting many existing economic and political relationships, as embodied in law and markets – yet forging new alignments of interests and new social consensuses is notoriously difficult work."en_US
dc.identifier.citationconfdatesMarch 2001en_US
dc.identifier.citationconferenceArtists, Technology and the Ownership of Creative Contenten_US
dc.identifier.citationconflocLos Angeles, CAen_US
dc.identifier.urihttps://hdl.handle.net/10535/4976
dc.languageEnglishen_US
dc.subjectintellectual property rightsen_US
dc.subjectinformation commonsen_US
dc.subjectartsen_US
dc.subjectownershipen_US
dc.subjectinformation technologyen_US
dc.subject.sectorInformation & Knowledgeen_US
dc.titleArtists, Technology and the Ownership of Creative Content: Summary Reporten_US
dc.typeConference Paperen_US
dc.type.methodologySummary Reporten_US
dc.type.publishedunpublisheden_US

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