Artists, Technology and the Ownership of Creative Content: Summary Report
| dc.contributor.author | Bollier, David | |
| dc.coverage.country | United States | en_US |
| dc.coverage.region | North America | en_US |
| dc.date.accessioned | 2009-09-28T14:12:37Z | |
| dc.date.available | 2009-09-28T14:12:37Z | |
| dc.date.issued | 2001 | en_US |
| dc.description.abstract | From Introduction: "As the title of the conference suggests, discussions about 'artists, technology and the ownership of creative content' range across a large territory of law, politics, technology, art, history and the mysterious dynamics of creativity itself. Yet for all the complexities of this topic, one fact is inescapable: the digital revolution is provoking a wide array of novel quandaries. Answers are elusive, it seems, because the technologies are disrupting many existing economic and political relationships, as embodied in law and markets – yet forging new alignments of interests and new social consensuses is notoriously difficult work." | en_US |
| dc.identifier.citationconfdates | March 2001 | en_US |
| dc.identifier.citationconference | Artists, Technology and the Ownership of Creative Content | en_US |
| dc.identifier.citationconfloc | Los Angeles, CA | en_US |
| dc.identifier.uri | https://hdl.handle.net/10535/4976 | |
| dc.language | English | en_US |
| dc.subject | intellectual property rights | en_US |
| dc.subject | information commons | en_US |
| dc.subject | arts | en_US |
| dc.subject | ownership | en_US |
| dc.subject | information technology | en_US |
| dc.subject.sector | Information & Knowledge | en_US |
| dc.title | Artists, Technology and the Ownership of Creative Content: Summary Report | en_US |
| dc.type | Conference Paper | en_US |
| dc.type.methodology | Summary Report | en_US |
| dc.type.published | unpublished | en_US |
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