The Battle to Define the Future of the Book in the Digital World

dc.contributor.authorLynch, Clifforden_US
dc.date.accessioned2009-07-31T14:51:06Z
dc.date.available2009-07-31T14:51:06Z
dc.date.issued2001en_US
dc.date.submitted2008-07-31en_US
dc.date.submitted2008-07-31en_US
dc.description.abstract"Commercial publishing interests are presenting the future of the book in the digital world through the promotion of e-book reading appliances and software. Implicit in this is a very complex and problematic agenda that re-establishes the book as a digital cultural artifact within a context of intellectual property rights management enforced by hardware and software systems. With the convergence of different types of content into a common digital bit-stream, developments in industries such as music are establishing precedents that may define our view of digital books. At the same time we find scholars exploring the ways in which the digital medium can enhance the traditional communication functions of the printed work, moving far beyond literal translations of the pages of printed books into the digital world. This paper examines competing visions for the future of the book in the digital environment, with particular attention to questions about the social implications of controls over intellectual property, such as continuity of cultural memory."en_US
dc.identifier.citationjournalFirst Mondayen_US
dc.identifier.citationmonthSeptemberen_US
dc.identifier.citationnumber6en_US
dc.identifier.citationvolume6en_US
dc.identifier.urihttps://hdl.handle.net/10535/2540
dc.subjectopen accessen_US
dc.subjectcopyrighten_US
dc.subjectintellectual property rightsen_US
dc.subject.sectorInformation & Knowledgeen_US
dc.submitter.emailefcastle@indiana.eduen_US
dc.titleThe Battle to Define the Future of the Book in the Digital Worlden_US
dc.typeJournal Articleen_US
dc.type.publishedpublisheden_US

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