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Traditional Transmission as Cultural Commons: The Conflicts and Crisis of Commodification

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dc.contributor.author McCann, Anthony en_US
dc.date.accessioned 2009-07-31T14:44:55Z
dc.date.available 2009-07-31T14:44:55Z
dc.date.issued 2000 en_US
dc.date.submitted 2001-07-02 en_US
dc.date.submitted 2001-07-02 en_US
dc.identifier.uri https://hdl.handle.net/10535/2370
dc.description.abstract "This paper represents a reframing of aspects of common property debates in an attempt to come to a better understanding of the commons as a cultural system, and of commodification within the cultural commons, specifically focusing on transmission processes within Irish traditional culture. Starting from the assumption that rational choice theory, game theory, and neo-classical economic analyses are inadequate when faced with systems within traditional culture, this paper seeks to outline an alternative; Traditional Standpoint Theory. In a belief that privileging the voices of those who are not in a dominant position may lead us to a less false representation of their activities, this particular take on Standpoint Theory will draw on traditions within Marxism, Feminism, Social Interactionism, Anthropology, Sociology, Folklore, and Ethnomusicology. "Outlining ways in which intellectual property, spectacle, commercialism, technology, and academia all contribute to spatial mapping of the traditional transmission processes through processes of commodification and reification, the analysis will show how each of these is working within dominant epistemic structures that emphasise and support damaging assumptions about individuality, authorship, creativity, originality, and property. These assumptions feed dichotomies of tradition-modernity, tradition-progress, tradition-innovation, public-private, professional-amateur, gift-commodity, oral-literate in ways which undermine and enclose transmission processes, leading to a condition of crisis within the cultural commons of Irish traditional culture. "Following Bourdieu's emphasis on practice, and in mind of the political imperative of praxis, it is hoped that this focus on local, subjugated knowledge and transmission will lead to a re-evaluation of music, reciprocation, identity, trust, property, community, time, and tradition. It is hoped that the conclusions of this paper will add to theoretical debates within Common Property Studies, leading us to re-examine the nature and definition of Common Pool Resources, and bringing us to a fuller understanding of the central requirements of tradition and sustainable transmission within increasingly commodified transmissional spaces." en_US
dc.language English en_US
dc.subject IASC en_US
dc.subject common pool resources en_US
dc.subject commodification en_US
dc.subject culture en_US
dc.subject local knowledge en_US
dc.subject public--private en_US
dc.subject ethnomusicology en_US
dc.title Traditional Transmission as Cultural Commons: The Conflicts and Crisis of Commodification en_US
dc.type Conference Paper en_US
dc.coverage.region Europe en_US
dc.coverage.country Ireland
dc.subject.sector New Commons en_US
dc.identifier.citationconference Constituting the Commons: Crafting Sustainable Commons in the New Millennium, the Eighth Biennial Conference of the International Association for the Study of Common Property en_US
dc.identifier.citationconfdates May 31-June 4 en_US
dc.identifier.citationconfloc Bloomington, Indiana, USA en_US
dc.submitter.email hess@indiana.edu en_US


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